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AS YOU CAN IMAGINE, I spend a lot of time browsing through the art sections of used bookstores. Is there anything more disappointing than the poor quality reproductions in a thirty year old art book? Maybe: how about an older art book with only black-and-white reproductions! Now, I do own many older art books, but believe me, it is for the words of Heinrich Wölfflin or Charles Baudelaire, not for the images.![]() We are fortunate to live in an age of high quality, color reproduction capability. Not too long ago, authors justified those black-and-white images by pointing out that color images were so poor as to confuse the reader. Black-and-white was determined to be a more accurate reproduction of a painting. Nowadays, the only images featured in black-and-white are the forlorn "destroyed in Berlin, 1945" paintings, for which there are no existing color reproductions. ![]() COCTEAU: "... When faced with the two types of reproduction we have often hesitated considerably, for color photography is not a palette and it cannot be said that the colored photograph keeps all the painting's range of mystery, all the grace and energy the painter put into it.Now here is an exciting possibility! Although no reproduction can hope to replicate the experience of viewing the original work of art, this perspective offers opportunity for reproduction to express something that would be impossible to see in a museum: the same work in both color and black-and-white. ![]() And so, how would you expect this juxtaposition of color and black-and-white to enhance your perception of a reproduction? The black-and-white image should highlight the "linear" aspects of the work, and the color image should feature the "painterly" aspects. Would different artists benefit more than others from this approach? Matisse or Gauguin as opposed to Rembrandt or Vermeer? What about different styles? Impressionism, versus Cubism? I have provided a few examples for you, but the beauty of this method is that anyone with a minimal graphics software package can download the images, convert a copy to black-and-white, and compare for themselves. ![]() ![]() Mark Harden ![]() Artchive visitors offer some responses discussing black and white imagery. ![]() ResourcesSide-by-side color and black-and-white images:![]() ![]() ![]() ![]() ![]() ![]() ![]() Instructions for converting images to black & white ![]() Conversations on the Dresden Gallery Louis Aragon/Jean Cocteau Holmes & Meier Publishers, 1982 ISBN: 0-8419-0730-7 ![]() |
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